White Cabin, the dream theatre where all things are mixed, Russian icons, nostalgia for a silent film, and a real sense of avant garde artistic style.

Succession of direction for ironical situations, flood of a queer and a strange image,
fantastic theatrical direction which change with various genres in every single minute.

Whit Cabin is the winner of the “Fringe First”, and the “Total Theatre Award”, at the 2003 Edinburgh Fringe Festival.

Can a spectator’s presence influence the stage and its performers?
Can the action onstage influence the very will of the spectator and their desire for self-enrichment? Is it possible to project the action onstage directly into the mind and soul of the spectator?