The concept of the performance of the play <NOLYNG> is a ceremony to pray for Life and blessing through the Yeonpyeong Sea.

 The folk songs and festivals of Hwanghae province, which were performed as the only means of rest and fidelity for those who live with the fate of the sea on the boundary between the life and death, have borrowed it as an important motif of music. In addition, in an age of confusion, we borrowed the image of 'jesu exorcism', which borrows hurt, heals and blesses modernly to solve it with music.

 The frost painting, which is used as an important material for the work <NOLYNG>, has the meaning of white flowers on the tree without roots' and acts as a mediator between audience and performer. As a result, it is not simply music appreciation, audience participation type device that can be combined together as the subject of the stage We will program diversely and this will further enrich the Busan International Performing Arts Festival this time.