Suddenly Married

Suddenly Married

TitleSuddenly Married
CountryJapan
Production CompanySEINENDAN
Date2012-05-11~2012-05-12
Time11th 20:00/12th 14:00, 18:00
Age restrictionRated PG-12
Running time60minute
VenueYeno Hall of KyungSung University
TicketAdults 15,000won / Students 10,000won
Websitewww.seinendan.org

※ Q&A Session: 5/11(Fri) 20:00

Theater of the Absurd, written by Oriza Hirata, who is the most famous person in Japanese modern theater.

When did you marry?

<Suddenly Married> is a very challenging work which was produced using innovative methods.
Oriza Hirata and the members of Seinendan were staying in various local residences (Mie, Hiroshima, Aomori and Kumamoto) and produced this work. Local theatrical people participated in producing each local version of <Suddenly Married> and they even used the local dialects.

<Suddenly Married> was written in celebration of the 25thanniversary of Obihiro Enken, a theater production.

synopsis

Shohei and Sumie wake up one morning to find that they have become a married couple.Shohei's brother and Sumie's sister, after twenty some years of marriage, have started living separately, facing divorce. They suspect that their siblings are making up this "suddenly married" situation to somehow convince them to start again as a couple. In spite of that, the odd life of this new couple begins.

SEINENDAN

Seinendan is a theater company formed by Oriza Hirata in Tokyo in 1983. Seinendan have been pursuing a new theatrical style through the practice of Hirata's "contemporary colloquial theater theory." This totally new style has had a strong influence on Japanese theater since the 1990s as well as on vast areas such as literature, linguistic study and language education.
Seinendan’s goals include establishing a new form of expression that can even alter the framework of theater itself, based on a unique combination of Seinendan’s theatrical theory and practice.

Staff

Director: Oriza Hirata
A playwright and director, Oriza Hirata is one of the key figures in the contemporary theater scene in Japan. While in college Hirata founded Seinendan Theater Company to pursue and practice his "contemporary colloquial theater theory."
Hirata claims that modern theater in Japan, which started out by importing the Western modern theater, has also lead to playwriting governed by Western logic. Thus, he believes, writing styles and logical structures irrelevant to the Japanese language have been routinely practiced, and in trying to give those irrelevant styles reality the actors have been forced into distorted acting styles too. This is the heart of Hirata's criticism of the conventional Japanese theater.
The Komaba Agora Theater, Seinendan's home base where Hirata is artistic director, is a house for exchange of information between both national and international theater troupes. Hirata has been playing a great role in introducing regional theater companies to Tokyo audiences for almost 20 years through Agora Theater's various programs including the End-of-Millennium Theater Festival where he was festival director.

Actor
Kohey Nitanda, Soge Shin, Hideki Nagai, Miyuki Moriuchi

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